RESEARCH

Listening, Knowing, and Sonic ExperienceListening as Epistemic Practice · Listening in Everyday Cultural Contexts

Sound, Culture, and Social LifeSound, Identity, and Social Relations · Sonic Cultures and Digital Infrastructures

Chinese Intellectual Traditions and Sonic CulturesChinese Intellectual Traditions and Contemporary Sound Studies · Musical Traditions in Contemporary Sonic Cultures

Listening, Knowing, and Sonic Experience

聆听、认识与声音经验

Listening is approached as a way of knowing the world and as an embodied, culturally situated practice. This area explores the relationships among auditory perception, the formation of knowledge, and lived experience, with attention to how listening takes shape across everyday life, artistic practice, and mediated environments.

将聆听视为一种认识世界的方式，以及具有具身性与文化情境性的实践，关注听觉感知、知识形成与生活经验之间的关系，并考察聆听在日常生活、艺术实践与媒介环境中的具体展开。

Listening as an Epistemic Practice

聆听作为一种认识实践

I approach listening as an epistemic practice, asking how listening shapes perception, interpretation, and meaning-making. Drawing on auditory epistemology and phenomenology, as well as scholarship on embodiment and sensory experience, I explore how listening functions as a way of knowing and engaging with the world.

我将聆听视为一种认识实践，关注人在聆听中如何感知、解释并生成意义，并结合听觉认识论、现象学以及有关具身性与感官经验的讨论，探讨聆听如何参与人对世界的认识与经验。

Listening in Everyday Cultural Contexts

日常文化情境中的聆听

I examine listening as an everyday cultural practice shaped by embodied experience, media technologies, and social interaction. I am particularly interested in how auditory practices shape patterns of attention, structure everyday experience, and participate in the formation of cultural life.

我关注聆听作为一种日常文化实践，如何受到身体经验、媒介技术与社会互动的塑造，并考察听觉实践如何影响注意方式与日常经验，以及如何参与塑造日常文化生活。

Sound, Culture, and Social Life

声音、文化与社会生活

Sound is approached as a constitutive dimension of cultural and social life. Drawing on the anthropology and sociology of sound, ethnomusicology, and media studies, I examine how sonic practices shape social relations, cultural experience, and everyday life.

将声音视为文化与社会生活的构成性维度，结合声音人类学、声音社会学、民族音乐学与媒介研究等研究视角，考察声音实践如何塑造社会关系、文化经验与日常生活。

Sound, Identity, and Social Relations

声音、身份认同与社会关系

I explore how sonic practices shape collective identity, cultural memory, and social relations. Drawing on the anthropology and sociology of sound, I consider how sound mediates collective experience and social interaction, and contributes to senses of cultural belonging.

我关注声音实践如何塑造集体认同、文化记忆与社会关系，并结合声音人类学与声音社会学等相关视角，考察声音如何参与群体经验与社会互动，并影响文化归属感的形成。

Sonic Cultures and Digital Infrastructures

声音文化与数字基础设施

I investigate how platform infrastructures, podcasting, algorithmic recommendation, and AI-mediated production are reshaping the production, circulation, and reception of sound. I am particularly interested in how these transformations reconfigure relationships among listeners, creators, platforms, and technologies.

我关注平台基础设施、播客、算法推荐与人工智能参与的声音生产如何重塑声音的生产、流通与接受，并进一步考察听众、创作者、平台与技术之间关系的持续变化。

Chinese Intellectual Traditions and Sonic Cultures

中国思想传统与声音文化

This area brings Chinese intellectual traditions into dialogue with contemporary sound studies, examining listening, music, and sonic culture at the intersections of historical thought, aesthetic traditions, and contemporary cultural experience.

将中国思想传统与当代声音研究置于对话之中，从历史思想、美学传统与当代文化经验的交汇处考察聆听、音乐与声音文化。

Chinese Intellectual Traditions and Contemporary Sound Studies

中国思想传统与当代声音研究

I explore how concepts and perspectives on sound, perception, the body, and aesthetic experience within Chinese intellectual traditions can contribute to contemporary discussions of listening and sonic culture. I am particularly interested in how cross-cultural theoretical dialogue can open up alternative ways of conceptualizing sound and listening.

我关注中国思想传统中有关声音、感知、身体与审美经验的概念与思想视角，考察这些思想资源如何参与当代关于聆听与声音文化的讨论，并进一步探索跨文化理论对话如何为理解和阐释声音与聆听提供不同的概念路径。

Musical Traditions in Contemporary Sonic Cultures

当代声音文化中的音乐传统

Drawing on my long-term experience as an erhu performer, I examine musical traditions with particular attention to embodied experience, cultural transmission, and mediation. I am particularly interested in how traditional musical practices are sustained, transformed, and reinterpreted within contemporary sonic cultures.

基于长期的二胡演奏经验，我从具身经验、文化传承与媒介过程等方面考察音乐传统，关注传统音乐实践如何在当代声音文化中得以延续、发生转变并被重新阐释。