Examines podcasting as part of publishing’s “audio turn,” focusing on the challenges of publishing–podcast convergence and possible strategies for developing sound-oriented publishing models.
聚焦出版业“音频转向”背景下的播客实践，分析“出版+播客”融合发展面临的现实困境，并探讨以声音为核心的融合出版模式及其发展路径。
This article examines how artificial intelligence is reshaping editorial subjectivity through human–machine interaction, while reconsidering the editor’s role in cultural production and ethical responsibility.
本文考察人工智能如何在人机互动中重塑编辑主体性，并重新思考数智环境下编辑在文化生产与伦理责任中的主体角色。
The paper examines how podcast users translate listening needs into situated practices across everyday contexts, and how these practices shape affective connection, social interaction, and emerging forms of auditory culture.
本文考察播客用户如何在具体生活情境中将收听需求转化为场景化实践，并探讨这一过程如何形成情感连接、社会互动与新的听觉文化。
This paper examines how Chinese traditional music is reconfigured within emerging media ecologies, focusing on changing forms of cultural expression, audience participation, and platform circulation.
本文考察中国民族音乐在新兴媒介生态中的重新组织，关注文化表达、受众参与与平台传播方式的变化。
This paper examines how short-video media reshape the circulation of Chinese traditional music and its relationships with contemporary audiences, focusing on cultural accessibility, audience participation, and changing forms of musical circulation.
本文考察短视频媒介如何改变中国民乐的传播与受众关系，关注文化接近性、受众参与以及音乐文化流通方式的变化。
This thesis examines how pan-cultural podcasts can align content production with users’ needs and listening practices, exploring pathways toward more systematic and context-responsive content.
本研究关注泛文化类播客的内容生产如何与用户需求及收听实践相适配，并探索更具系统性与场景适应性的内容优化路径。
Examining the erhu as a site of embodied and culturally situated listening, this study explores how vibration becomes expressive and affectively meaningful through musical practice. Focusing on trembling, python skin, and fear, it considers how ways of hearing are learned and embodied, and how knowledge of an instrument and its materials may transform what becomes perceptible in listening.
本文以二胡为具身且具有文化情境的聆听实践，探讨振动如何在音乐实践中获得表现与情感意义。围绕颤抖、蟒皮与恐惧，文章考察听的方式如何被习得并具身化，以及对乐器及其材料的认识如何改变聆听中可被感知的声音经验。
This ongoing study examines how the Dao De Jing approaches the limits of auditory perception through the paradox of “listening without hearing.” Bringing its reflections on sound into conversation with bodily states and he (和, harmony), the study explores listening as a question extending beyond the auditory organ to the body’s capacities to sense, change, and respond.
本文从《道德经》“听之不闻”出发，考察声音如何触及感知的边界，并进一步进入身体状态与“和”的问题。通过“五音令人耳聋”“大音希声”“专气致柔”与“终日号而不嗄”等论述，探索聆听如何超出单一听觉器官的范围，与身体的感受、变化及回应能力发生关联。
This article examines how sound practices can reshape public cultural services through embodied listening, cultural participation, and public value in the digital age.
本文考察数字时代的声音实践如何通过具身聆听、文化参与与公共价值，重塑公共文化服务。
This article examines how streaming platforms reorganize musical labour through visibility regimes, datafication, algorithmic governance, and unequal conditions of creative production.
本文考察流媒体平台如何通过可见性机制、数据化、算法治理与不平等的创作条件，重新组织音乐劳动。